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Uniqueness on four wheels: the Donkervoort F22 Art Car!

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Uniqueness on four wheels: the Donkervoort F22 Art Car!

The latest work of art on wheels, this Donkervoort F22 Art Car, embodies a rare symbiosis of high-performance athletes and individual art. The creation was created through the collaboration of the Donkervoort fan Cees Lubbers and the Dutch artist Anneke Wilbrink. Lubbers, also known as “Race Cees” among Donkervoort fans, already has a few examples in his personal gallery, but with the F22 Art Car the collection reaches a new dimension. The design is based on an original painting by Wilbrinkthat the Donkervoort logo artfully integrated into their work. The detail underlines the bond between the artist and the brand, which is characterized by a long-standing collaboration.

the Donkervoort F22 Art Car

Donkervoort's Managing Director, Denis Donkervoort, expressed enthusiasm about the passion of customers and emphasized Lubbers' commitment to the brand unprecedented be. The F22 Art Car will not only be on display in Lubbers' gallery, but is also a tribute to his passion for the brand. In addition to the artistic vehicle, Lubbers drives one red Donkervoort D8 GTO JD70 R, with whom he regularly takes part in track days. The combination of artistic appearance and technical excellence makes the Donkervoort F22 Art Car a prime example of how art and automobile construction can merge. For fans and collectors, the appearance of such a unique specimen in the wild is a spectacular event.

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Uniqueness on four wheels: the Donkervoort F22 Art Car!

Uniqueness on four wheels: the Donkervoort F22 Art Car!
Photo credit/source: Donkervoort

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About Thomas Wachsmuth

Thomas Wachsmuth - He has been an integral part of tuningblog.eu since 2013. His passion for cars is so intense that he invests every available penny in them. While he dreams of a BMW E31 850CSI and a Hennessey 6x6 Ford F-150, he currently drives a rather inconspicuous BMW 540i (G31/LCI). His collection of books, magazines and brochures on the subject of car tuning has now reached such proportions that he himself has become a walking reference work for the tuning scene.  More about Thomas

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